i can get that across without using a massive wall of text
a lot of it is superfluous
i can get that across without using a massive wall of text
a lot of it is superfluous
Over time, I begin to think that I was wrong about you, En-Guage. That you aren't as retarded as some of your posts make you seem. But there's always that one instance that removes that doubt from my thoughts; and this is one of them.
~*~ superfluous as fuck~*~
thanks bro you seem cool too
I like you, man. But these posts sometimes...
dw man i'm not out to gain e cred
you ain't out to get e cred - but e cred out to get you
Kokomo - If Wolves
Good post-rock, again like In Each Hand A Cutlass, but this time the first track stands out a lot. Some excellent riffing.
Ryuichi Sakamoto - Thousand Knives of Ryuichi Sakamoto - 1978
This guy in the last 20 years has put out some really worthy classical albums. But before then, he was really grasping the electronic synth vibes from his group "Yellow Magic Orchestra".
What we have here is his first record, purely made with synths.
All I can say is all the energy from the YMO band is here, the really clunky beats with the smooth synthesizers create this vibrant, colourful atmosphere. Definitely different from his other stuff.
No one here is exactly a professional reviewer but saying in-depth reviews are meaningless makes you seem like a fool.
Stereolab - Mars Audiac Quintet - 1994
part of the golden three stereolab albums. it sounds a lot more 90's than the other two (Emperor Tomato Ketchup and Dots & Loops) due to there being a lot of jangle guitar and organ droning compared to the mooging and sampling of later albums.
basically a catchy selection of indie rock songs.
four bob moog's out of five
for a second I thought that was karlheinz stockhausen for some reason
but yeah that's prob. stereolab's second best album of what i've heard. only listened to that, dots and loops, transient random noise bursts..., and peng!.
where do i go after emperor tomato ketchup once I listen to it???
hah i should review every album of theirs:
Peng! - fun but very very early
Transient Random-Noise Bursts with Announcements - really good lo-fi rock
Mars Audiac Quintet - probably their 3rd best
Emperor Tomato Ketchup - their absolute best
Dots and Loops - their 2nd best
Cobra and Phases Group Play Voltage in the Milky Night - nope
Sound-Dust - not bad
Margerine Eclipse - pretty good but misses the late backup singer
Chemical Chords - quite pleasant
Not Music - too long but not bad
you can move on to their compilations which contain the great songs that never got released on an LP. Space Age Bachelor Pad Music and Refried Ectoplasm are really good records.
i have refried ectoplasm simply for french disko but i really need to give it proper listen as well
also what about the first of the microbe hunters?
Man On The Moon: The End Of Day- Kid Cudi (2009) 8.5/10
Genre: hip-hop, psychadelia, trip-hop
Love this album, it's really grown on me with a couple listens, I remember listening to it a while ago and not really liking it but I returned to it like a week ago and listened through it and was like, wait this is actually fantastic. It's a really good album, really unique, great atmosphere to the whole thing, despite being mainly a hip-hop album I get vibes of bands like Pink Floyd, Aphex Twin and stuff, and it's got a lot of singing as well as rapping. The rapping's often got a flow similar to singing as well. It's really mellow, but got some really good tracks that work loud and energetic. Got some good guests as well. MGMT, Ratatat, Kanye West and a few more.
Definitely worth checking out even if you're not massively into hip-hop because for one thing it's definitely not a straightup hip-hop album and secondly it absolutely doesn't have a hip-hop feel. in fact it almost feels wrong to call this a hip-hop album. Either way it's a fantastic album, but definitely a grower so don't disregard it if you don't like it first listen.
Favourite tracks- Soundtrack 2 My Life, Day 'N' Nite, Sky Might Fall, Pursuit Of Happiness, My World
White Light/White Heat
Good album by The Velvet Underground, it is something different compared to all other 60/70 music out there.
i used to hate that album, I thought Sister Ray was unlistenable.But now for some reason I just really enjoy hearing it to the point where I'm GLAD it's a whole side of vinyl, because I don't want it to end. Comforting music somehow
yeah at one point you can think that what Hendrix did was just noise, but then you start to feel something and boom, your experience has changed.
Red House Painters - Down Colorful Hill
Genre: indie rock
Gloomy and bleak, with an atmosphere that reminds me of Slint's Spiderland even though the two bands/records ultimately have very little in common.
As humorless and downbeat as the album is, it never descends into self-parody and remains compelling throughout.
The instrumentation itself is subdued and subtle, trading bombast and technical wankery for mood and sensitivity.
An essential piece or early 90s indie, back when "indie" still wasn't a dirty word.
Bruce Springsteen - Wrecking Ball - 2012
does it sound like his old stuff or not?
Metal Gear Solid Original Video Game Soundtrack- KCE Sound Team Japan, TAPPY, Rika Muranaka
Classic and unforgettable themes in this album. My favorites are Cavern, Encounter, and The Best Is Yet To Come. I really can't think of anything really wrong with this soundtrack.
10 out of 10
The Protomen - Act II - The Father of Death
I was recommended this a long time ago and never got to it. I finally gave the album a listen recently. All I can say is that I regret not listening to this earlier. Everything from the story behind the lyrics to the vocals and the instrumentation is great. It feels a bit cheesy at a few points although it does add a bit of charm as well. This album flows nicely and has a great story behind it.
High Points: The Good Doctor, Father of Death, The Hounds, The State Vs. Thomas Light, Breaking Out, Keep Quiet, Light Up The Night
Low Points: N/A
Sometimes I feel like I'm the only one who didn't think that Act II was amazing.
I thought that the earlier album was WAY better.
Rapeman - Two Nuns And A Pack Mule
Genre: noise rock
So Steve Albini of Big Black/Shellac fame formed a band with two of the guys from Scratch Acid(one of whom would end up in the Jesus Lizard) back in the mid 80s, and this is the result of that collaboration. Needless to say, it is a fine result.
From the abrasive, metallic guitars and the violent yet controlled drumwork to Albini's trademark wails and lyrics just as heartwarming and sensitive as the ones he wrote in Big Black(which is to say, not heartwarming or sensitive at all), this is an essential piece of 80s underground rock.
Steve Albini is god.
[h2]Ash Ra Tempel
Ash Ra Tempel[/h2]
A really nice piece of dark, spacy krautrock. Reminds me of GY!BE and Soundtracks for the Blind in places.
B.Dolan - The Failure (2008)
And I thought Fallen House, Sunken City was great, this turned out even better.
Then again I shouldn't compare the two considering how different they are.
This one has around 2 or 3 songs with rapping while the other 13 or 14 are either spoken words (or yelling if he's pissed off) with some subtle music, or a sound scape with Dolan talking to his computer friend.
The concept is he is the last man on earth after some sort of apocalypse and has only a computer to talk to. He has tapes around some sort of bunker he lives in and plays the poetry on them.
It's really something you would have to listen to all the way to get the most enjoyment out of it, since there are only about 7 tracks that work alone while the rest makes the album a good listen.
[h2]New Trolls - Concerto grosso per i New Trolls (1971)[/h2]
Genre: progressive rock, symphonic rock
One of the most exciting progressive/symphonic rock albums I have ever heard.
The first track (you can listen to it below) sets off the album in an exciting mood, which then subsides along with the next two tracks.
But during the later bit of the last track the music just fucking bombards you with everything and after listening you feel exhausted, wanting more.
Space Art - Space Art (1977)
Genre - Progressive Electronic
Obviously other people might disagree, given that not everyone has my infinite tolerence for dated synths and cheesy space noises. Well, it's not like anyone likes people who don't like amazing spacy music anyway. Listening to this album makes me feel like I'm in a late 70's cult sci-fi film - one with more in common with 2001: A Space Odyssey than Star Wars. The music is composed of layers upon layers of lush, elegant synths. It's not perfect by any means, a few of the songs are a bit slow and lack the massive orchestral sweep of synthsounds that I really love in old electronic albums, but generally it delivers wonderfully.
Flying Colors - Flying Colors
I really like the idea of this band. Coupling virtuoso musicians (Mike Portnoy, Dave Larue, Steve Morse and Neal Morse) with an alt-rock singer/songwriter (Casey McPherson) brings together the complexity that I love about progressive rock, jazz, and metal and the simplicity and catchiness of alt-rock/pop. There are some really catchy tunes on this album and it's full of stunning guitar and bass solos, dense harmonies, and fantastic choruses. It's not perfect however, certain songs feel like they don't develop enough, and a couple of songs in the middle of the album run out of steam and sound a little the same. But it's still a really good release. Highlights would have to be Blue Ocean, Kayla, The Storm and Infinite Fire.
Kvelertak - Self Titled -
It's really hard to pigeon-hole Kvelertak's sound with one label, but likely the best way to describe them is a black metal/black'n'roll band with heavy hardcore punk and classic rock influences. Kvelertak's lyrics are all in Norwegian but from what I've heard the lyrics deal with Viking and Norse mythology. This band's music is fast and aggressive but also have a few moments of down time because let's face it, fourty fucking minutes of nothing but hard and fast playing is god damn boring.
My only complaint is that their music is very eccentric. It lacks a specific sound that caters to a specific audience so it's really hard to recommend this to anyone.
High Points: Mjød, Fossegrim, Blodtørst, Offernatt, Sjøhyenar (Havets Herrer)
I've been really listening to Onra's Chinoseries and Air's Le Voyage Dans La Lune. Both are albums that you totally need to listen to all at once to get the full effect.
Air - 9/10
Onra - 8/10
'Ash - (an English word) the ash, the remains, the final curtain? Ra - the Egyptian Sun God, the energy, the source of our lives Tempel - a place for rest and contemplation (written in the German idiom)'
Just a single, but it's damn good. I'm not sure what you'd describe this as, it's synth centric with noise elements. There are pulsing beats hidden under a layer of noise, a strange combination which works really well.
Wooden Shjips - West (2011)
West is an album that consists of songs I usually don't enjoy. Songs where the musician seemingly
has no idea how to end it (Ladies and Gentlemen We Are Floating in Space comes to mind) and it just ends
with a fade-out or an abrupt ending. However, in context of this being a sort of 70s San Francisco psych-rock
music thing, I think it works.
It consists of 7 tracks, all are very similar with a loud distorted guitar pretty much doing the same thing
the entire song with drowned out vocals and spacey synths doing their thing. You can imagine that for 7
tracks of the same thing can get quite boring, and it does. There are at least two stand out songs on here;
Black Smoke Rise, the opener, is probably best suited to summarize the whole album. The second standout
track is Lazy Bones which is probably the fastest track on the album and was used in an episode of The Walking Dead!
I can see West being great while tripping on something or stoned, but it's far too boring and repetitive for me
to bear while sober, and that is a great fault.
Favorite tracks: Black Smoke Rise, Lazy Bones